About the Artist

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Born February 5, 1946, Rajasthan,India.


Rameshwar Singh was born in Rajasthan, and received his M.A. in drawing and painting from Udaipur University in 1982. He has a fascination for antiquity. The subject matter may be old-fashioned, but the treatment is novel. His work is very much keeping in tune with times. Through his paintings, he pays tribute to our cultural tradition that, he believes, can never be outdated. Blending he past with the present and striking a right balance in the process

has helped him in establishing his identity.


His main source of inspiration is ancient scriptures, architecture and obviously his own state, Rajasthan, which is rich with art traditions. Old calligraphy, scripts and architecture also seize his mind. These frequently appear in his work. Artifacts like vessels, music instruments, games, toys and prints that speak so much of our rich tradition have a pulsating effect on him.

His canvasses are textured and layered over and over. Perhaps he hates leaving any empty space on canvass and embellishes and decorates every object. He profusely uses different scriptures like Arabic, Persian, Urdu and even English. The couplets used don't make any statement. They on their own do not  represent anything, but he does not use the symbols for the heck of it. To decipher them, they need to be viewed in totality, keeping in mind the objects painted. A line with a shadow, cutting across the canvass, gives a sense of perspective to the painting. The concept is similar to one employed in old scrolled miniatures. Lines make a viewer stop and ponder, they also break the monotony and depth. Medium is not a barrier to him. He does not always go by set patterns. Some of his paintings extend to or beyond the frame.


He paints for deriving aesthetic pleasure. His work is neither a statement on anything nor it means to fight any notions or traditions. There are bodies halved into the shapes of human and animal. Strange objects fly around. An antique Roman clock invariably features somewhere. Everything seems like having been caught in a time warp. A true communication or communion is on between one color and another, between object and subject and things and thoughts.


About his work, fellow painter F. N. Souza has commented "His paintings are very compact; there’s a lot in them: figures, forms, and mythological content. Very colorful  too.The forms are carefully constructed; there’s craftsmanship in his work, and skill. Sort of magic mantras and omens appear mysteriously

in Rameshwar's paintings.”


In the paintings with a mythological theme, he depicts different forms of Lord Ganesha, Lord Krishna, Goddess Durga and the Sun God. Art critic Keshav Malik, who has reviewed his work from early days  writes  "Singh’s apparitions from the cultural past cause nostalgia in viewers. This same dreamscape brims with the personae of charming figments, of birds, fish, beast and humans, of objects from both past and present. Here there are motifs from the foregoing Rajasthani painting as well as images of mundane objects of the day. All these have blended thoroughly." Malik adds, "No feel of over-crowding or of congestion. The ecology of his compositions, in other words, is just right; it suggests the interdependence of each on all, and of live and let live. This at least was the earlier Indian cultural methodology." 

Critic Umesh Verma writes "Singh is a virile painter from Rajasthan. Calligraphic textures and through inner alchemic processing he creates highly decorative folkishly sweet objects and paintings. His process is more or less scientific and has obvious overtones of Rajasthan. Sweetness and mirage are the reason for the essence of his visuals. He invokes poetic-Lingo."


He started with abstract before slowly switching to figurative. May be, he has now come a full circle as he again feels like doing abstract. Very much concerned about declining art traditions, he feels that puppetry, folk dances, scroll painting, tattoo, etc belong to the rich art tradition & if no attention is 

provided to their revival, these will simply vanish.





1982   AIFACS, New Delhi.  

1983   Information Centre, Udaipur.  

1983   Contemporary Art Gallery, Ahmedabad .

1984   Art Gallery, School of Arts, Jaipur.  

1984   Art Gallery, Faculty and Fine Art, Baroda . 

1984,1991,2000,2003,2005    Shridharani Art Gallery, New Delhi. 

1985,1994,1998,2000,2006    Jehangir Art Gallery, Mumbai.

1986   Dhoomimal Art Centre, New Delhi.  

1987,1989,1994,2003   Chitrakoot Art Gallery, Calcutta.  

1986,1990   Bajaj Art Gallery, Mumbai. 

1987   Chetana Art Gallery, Mumbai.  

1987,1991,1994,2002   Taj Art Gallery, Mumbai.  

1989,1991,1994   Gallery Aurobido, New Delhi. 

1993,1998,2001,2006   Jawahar Kala Kendra, Jaipur.  

1995,2002,2004   Welcome Gallery, Rajputana Palace Sheraton, Jaipur.  

1995,1998,2002,2004    Dhoomimal Gallery, New Delhi. 

1996   Srishti Art Gallery, Lucknow.  

1996   Ravi Shankar Raval Bhawan, Ahmedabad .

1996   Durga`s Art Gallery, Mumbai.

1997   Nehru Centre, Mumbai. 

1999,2003   Son-et-Lumiere, Mumbai. 

1999   Westminster Art Gallery, Bangalore.  

2000   Jamaat, Mumbai.  

2001   ABC Gallery, Varanasi.  

2001   Gallery Jan Steen, Amsterdam, Holland,  

2002   Department of Fine Arts, Chandigarh , 

2003   Daffodils Art Gallery, The Grand Hyatt, New Delhi , 

2004   Ta BLU Café Gallery Bar, Clarks Amer, Jaipur,  

2005   Crimson-the art resources, Bangalore, 

2014   'Caught in a time warp', Juneja Art Gallery, Jaipur




1984    National Award, Lalit Kala Academy, New Delhi, 

1995    Rajasthan Lalit Kala Academy, Jaipur  

1985, 1987    Bombay Art Society 

1984    U.P. State Lalit Kala Academy Lucknow, 

1983,1987,1990    The Indian Academy of Fine Art, Amritsar,

1984    Hyderabad Art Society, Hyderabad,  

2004    Ankan kala parishad,Bhilwara,

1977,1980   Tulika Kalakar Parishad, Udaipur,  

1984    A.P. Council of Artists, Hyderabad, 

1984,1990  Mahakaushal Kala Parishad, Raipur,  

1985    Oriental Art Society, Calcutta,  

1985    Karnataka Chitrakala Parishad, Bangalore, 

1985,1990  Creators, Ambala Cantt.,  

1988    Bharatha Kala Parishad, Hyderabad, 

1990    South Central Zone Culture Centre, Nagpur,  

1992    Banaras Artists Association, Banaras,  

1992    1st Indian Drawing Biennial, The Solids Chandigarh, 

1986    Research Scholarship, National Lalit Kala Academy, New Delhi, 

1997    All India Art Biennial of Rajasthan, Jaipur,  

2000    All Indian Art Biennial of Rajasthan, Jaipur  

2000    Nagridas kala sansthan, Kishangarh, Ajmer,

2006    Honour by His Excellency The Governor of Tamil Nadu, 





National L.K.A. Exhibition 1983, 1984, 1986, 1987, 1988, 1991, 1992, 1996, New Delhi. 

AIFACS 1983 to 1995 New Delhi. 

Rajasthan State L.K.A. Exhibition 1982 to 1997 Jaipur. 

Bharat Bhawan International Biennial of Print, 1987, 1991 Bhopal. 

Diamond Jubilee AIFACS, New Delhi. 

Centenary Year Bombay Art Society, Mumbai. 

Rajasthan Lalit Kala Academy, Jaipur. 

Silver Jubilee, Lalit Kala Academy, Bhuvaneshwar. 

Apana Utsav, 1986 New Delhi. 

CITY ART UTSAV, celebrated by City Bank, India, 90 Years, 1992, Mumbai. 

International Art Show “Tokyo” 1983 Japan. 

International Art Exhibition organized by WLRA World Congress & UNESCO 1993,Jaipur. 

Kala Mela organized by R.L.K.A. 1993, 1995, 1996, 1997, 1998,Jaipur. 

India Heritage Centre, Washington 2000. 

11th Asian Art Biennial Dhaka (Bangladesh),2004. 

Golden Jubilee Celebration of Lalit Kala Academy, New Delhi 2004.

'Confluence des Arts'  a group show of 100 artists at Gallery Artchill, Amber Fort , jaipur.2013   





Camps organized by Rajasthan Lalit Kala Akademy, Aaj Group, Tulika Kalakar Parishad, South Central Zone Cultural Centre, Jawahar Kala Kendra, Jaipur, West Zone Cultural Centre, Udaipur, North Central Zone Cultural Centre, Allahabad, International Workshop by Lalit Kala Akademy, New Delhi on the occasion of 10th Triennale-India at Chennai, 2001, AIFACS 2002 at New Delhi, Mayo College Ajmer 2003, Sanskrit Academy, Jaipur in 2004, Juneja Art Gallery, Jaipur in 2005, Urusvati & ONGC, Mumbai in 2005, National Artists'' Camp by Lalit Kala Akademy & South Culture Center, Thanjavar, Ooty in 2006 and The Grand Laxmi Vilas Palace art camp, Udaipur in 2006.





National Gallery of Modern Art, New Delhi, Lalit Kala Academy, New Delhi, Sahitya Kala Parishad, New Delhi, College of Art, New Delhi, Ministry of External Affairs, New Delhi, Great Eastern Shipping Corporation, Mumbai, Modern Art Gallery, Jaipur, Jawahar Kala Kendra, Jaipur, Pesticides (India) Limited, Udaipur, West Zone Cultural Centre, Udaipur, Chandigarh Museum, Chandigarh, Air India, Mumbai, South Zone Cultural Centre, Thanjavur, South Central Zone Cultural Center, Nagpur, Galenbara Art Museum, Japan.